Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.
jeudi 1 décembre 2016
Ass n Dick Remaster
After shearching throught the numerous boxes of CD-R and DVD-R at abstract sound/death666studio, I come up with this, which is in fact the third and last album by ass n dick with their classic tracks submitted to a professional recording by Manu at Many Studio,lot. After that I use mastering tool from Beringher output like ultramizer, de-esser and other mastering facilities for each track to got the same punch, it seems incredibly well made due to the recording prior to the remastering session, an abstract was not re-recorded but it was mastered too. This is eleven tracks in 10 minutes and we are happy to share those last ass n dick tracks available throught bandcamp. Ass well to notice the last mat s trip album with new recording since 10 yeears and for so long in death666record produced infra bass and noisy stereo guitars fro 'kill brain frequencies ep)
Here ear the last punch post hardcore revisited with pristine sound quality
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.
dimanche 27 novembre 2016
New Death666 record album : Mat s Trip 's 'kill brain frequencies' e.p.
Dsxcd666-26 is out , the new album in 10 years on death666records, more soundscapes of drone, experimental, noir-ish musical athmospheres. Guitars are stacked upon deep breathing bass under ground and a heavy feedback on guitars recorded a while ago. Sounds are dispatched to make a kind of clean approach of heavy noise soundscapes. This is called 'kill brain frequencies e.p.) and here is the main artwork
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.
enjoy the four titles of this E.P. can be found on bandcamp. Heavy dizziness of bass with heavy guitars riffs and tape manipulations edit and mix. View the stats it seem to be well receive with already 127 streaming, that s true it s new works from 2016, a compilation of filtered heavy bass background plugged against a wall of 3 guitars playing arranged noisy soundscapes
Ce(tte) œuvre est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.
lundi 25 juillet 2016
Fete de la Musique (21 Juin)
A l occasion de la fete de la musique tous les albums du bandcamp de death666 sont en téléchargement libre (au lieu de 6,00 euros par albums) bien que le streaming reste possible et le téléchargement titre par titre, a cette ocasion entre le 21 juin 2016 et le 21 Aout 2016 tous les albums sur bandcamp sont en téléchargement gratuit sur
http://death666records.bandcamp.com
On the ocasion of the event called 'fete de la musique' we set free all the downloads from our bandcamp internet base, to enjoy all those crust , punk, death, techno recording that represent also the esthetic of the label mechanics of loud hardcore to heavy comositon of punk, and various extended versions of wonder music from Ass n Dick , SKLPL, MV Noizetek and SKLPL/MT split
Digital for ever enjoy !
Free download unlimited until August,21st 2016 midnight included
FBI ANTI PIRACY WARNING: The material is copyrighted by international laws, and the copyright is owned by artists and/or label.
Creative Commoms rights for the internet identification of the recording/ no money exchange/ same licence
more infos : www.asud.org
www.amnesty.com
mardi 9 février 2016
One Year of Death666 compilation, 15 years later +Ultra Noisy Mixdown (10th year)
Remastered, revitalized, bonus tracked, this gemm of original songs issued by death666 in late 2000, marks the last collaborative album of MV Noizetek, before both take solo direction as MMat s Trip and SKLPL. It also feature the short discography of 'the dead hippie sound ' (total time under 20 min!) recorded in summer 200 at abstract sound, lot - Most of the rest was recorded at death sound toulouse by MV noizetek : mat :electronics,samplin,g, noise gtr and vinz:sampling,elecronic nlead guitar digital scream and accoustic noise attempt. Some of the bonus tracks were taken from CDs issued aropund that time of dsxcd7, dsxcd4 and 9 respectively MV Noizetek short EP (to celebrate their 'no live') and Mat s days of self destruction attempt to reconstruct throught art therapy also curated by vinz, camille (drummer of rastapopoulos) cyril (bassist of rastapopoulos) and beats provided from many Toulouse HC friends with help of all this people the 2016 bversion sounds better than ever, featurring 9 bonus tracks and also some rearranged segments, some restricted tracks, some newly implanted that works well. You to hear what you must aknoledge as the most documented accomplished record of (now defunct) MV Noizetek recorded from june to december 200
Suplemental recording includes many sequences made around that time revisited in a apparent 13 track tracklistiung, that once downloaded unveil 18 full lenght tracks (to download for fre) as we set also for ass n dick 10th year digital edition to download in a row all the super sounding. Respect, Love and jump on big acid core (more like hardcore bmp sets between 250-320 except for the rare ambient session of low tempo H and the short 3-tracks live rec of Dead Hippie sound feat Camille as extended MV drummer on bass /gtr/drums performance in a summer documented by sessions recorded with a couple of microphones, not tuned gtr, and vinz powerful gtr bass lines and straight cafeinated camille drums that also appear on duality a live drums/live electronic duo session that went to DOSD project 9, Enjoy
http://death666records.bandcamp.com/album/one-year-of-death666-15-years-later
One Year of Death666, 15 years later (2016 digital alb) de MV Noizetek, The Dead Hippie Sound est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.
Mat's Trip sound radicalizes a lot with UNM (ultra noisy mixdown) being out of print for so long and now available digitally (as CD version for low price 4.50 series, originally packaged in yellow card with red CD-R tinted recording surface (red devils manufacturer unknown!) well the digital version can be downloaded track by track, with lenght of more than 50 minutes for 4 tracks recorded ☻, one and three being the core of the ultra noisy mixdown and four being a kind of bonus track that indeed includes a Jean Louis Costes remix well hidden w/ silence (like in the 90's standard of indie bands) , it was indeed used with his permission and when it was made he tells me that it was nice and that i could use it with attribution to his name (▲JL Costes appears courtesy of himself, Eretic Art & Universal Jazz MusicFrance) [original music, screams and beatbox by Costes, Mat s Trip is responsible of add l distorsion, sampling , additional guitar, supplementalm recording and mix] in fact it uses three songs in one, it s not a medley!, it was 'a juge ds la tete' 'venez les f▓uks' and one track i can t remember the name where costes is being stripped down by cops to find drugs...in his anus ! with nice insults (the whole in french) that s why it s carefully hidden after 40 minutes of quazi-non-stop noise. Track 3 had an admirable 'plateau' with guitar feedback to find the listener redrawn in ultra fast, ultra violent beats mixing. In fact Mat sTrip interest with noise after destroy EP (dsxcd5) had seriously decreeased since outtakes and abstract concrete born in 2002, yet he smashes his kind of solo carrier with a live and remix album to final outputs of final battery discharge, change the batteries and reload with this ultra condensed mixdown with sources from d-stroy gtr takes, to made a kind of 'pot pourri' of all of the soundworld he creates with his own (and some co-shared ) samples, notably w/ MV Noizetek (with a quick kind of pro+kardia remix in 30sec). Well the project was mixed at the same time outtakes ' patience cameout in 2005, thankfuly (at least) to a person none of us remmber his name save our computer from his pals from justice who wanted to drag it out of death studios, abandonning the whole soundtrack project and all wav files they interestingly suspected after a night of recording and sound manipulatio (quite a story of reeel life) so we got the reel that permit to finalize in a kind of rash (!?) and anger thisproject with supplental recording but mostly recordings from the long CD-R and DVD-R archives of glorious death soundland/sound lab
►Here is a full presentation of this ong out of print CD where each track is dfownlodale (no bonus rtracks) as the material, quite dense and sonicly devastating, as I said, radicalize a lot the post techno, noisy sounbding MT reshearch for a while, a more noize techno HC approach that don t fit the raves as at thgis time the fashion ravers came out and the whole thing go down the drain, so sadly w/ multtiples folklore stories. Here is harsh noise, genre defiying, electronics with samples of screams, digital distorsions, turbo compression, digital FX and so much more (w/o dithering andno OdB overpass in volume units or full scale)
Ultra Noisy Mixdown de Mat sTrip est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.
Suplemental recording includes many sequences made around that time revisited in a apparent 13 track tracklistiung, that once downloaded unveil 18 full lenght tracks (to download for fre) as we set also for ass n dick 10th year digital edition to download in a row all the super sounding. Respect, Love and jump on big acid core (more like hardcore bmp sets between 250-320 except for the rare ambient session of low tempo H and the short 3-tracks live rec of Dead Hippie sound feat Camille as extended MV drummer on bass /gtr/drums performance in a summer documented by sessions recorded with a couple of microphones, not tuned gtr, and vinz powerful gtr bass lines and straight cafeinated camille drums that also appear on duality a live drums/live electronic duo session that went to DOSD project 9, Enjoy
http://death666records.bandcamp.com/album/one-year-of-death666-15-years-later
One Year of Death666, 15 years later (2016 digital alb) de MV Noizetek, The Dead Hippie Sound est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.
Mat's Trip sound radicalizes a lot with UNM (ultra noisy mixdown) being out of print for so long and now available digitally (as CD version for low price 4.50 series, originally packaged in yellow card with red CD-R tinted recording surface (red devils manufacturer unknown!) well the digital version can be downloaded track by track, with lenght of more than 50 minutes for 4 tracks recorded ☻, one and three being the core of the ultra noisy mixdown and four being a kind of bonus track that indeed includes a Jean Louis Costes remix well hidden w/ silence (like in the 90's standard of indie bands) , it was indeed used with his permission and when it was made he tells me that it was nice and that i could use it with attribution to his name (▲JL Costes appears courtesy of himself, Eretic Art & Universal Jazz MusicFrance) [original music, screams and beatbox by Costes, Mat s Trip is responsible of add l distorsion, sampling , additional guitar, supplementalm recording and mix] in fact it uses three songs in one, it s not a medley!, it was 'a juge ds la tete' 'venez les f▓uks' and one track i can t remember the name where costes is being stripped down by cops to find drugs...in his anus ! with nice insults (the whole in french) that s why it s carefully hidden after 40 minutes of quazi-non-stop noise. Track 3 had an admirable 'plateau' with guitar feedback to find the listener redrawn in ultra fast, ultra violent beats mixing. In fact Mat sTrip interest with noise after destroy EP (dsxcd5) had seriously decreeased since outtakes and abstract concrete born in 2002, yet he smashes his kind of solo carrier with a live and remix album to final outputs of final battery discharge, change the batteries and reload with this ultra condensed mixdown with sources from d-stroy gtr takes, to made a kind of 'pot pourri' of all of the soundworld he creates with his own (and some co-shared ) samples, notably w/ MV Noizetek (with a quick kind of pro+kardia remix in 30sec). Well the project was mixed at the same time outtakes ' patience cameout in 2005, thankfuly (at least) to a person none of us remmber his name save our computer from his pals from justice who wanted to drag it out of death studios, abandonning the whole soundtrack project and all wav files they interestingly suspected after a night of recording and sound manipulatio (quite a story of reeel life) so we got the reel that permit to finalize in a kind of rash (!?) and anger thisproject with supplental recording but mostly recordings from the long CD-R and DVD-R archives of glorious death soundland/sound lab
►Here is a full presentation of this ong out of print CD where each track is dfownlodale (no bonus rtracks) as the material, quite dense and sonicly devastating, as I said, radicalize a lot the post techno, noisy sounbding MT reshearch for a while, a more noize techno HC approach that don t fit the raves as at thgis time the fashion ravers came out and the whole thing go down the drain, so sadly w/ multtiples folklore stories. Here is harsh noise, genre defiying, electronics with samples of screams, digital distorsions, turbo compression, digital FX and so much more (w/o dithering andno OdB overpass in volume units or full scale)
Ultra Noisy Mixdown de Mat sTrip est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International.
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